Retablos and Ex-Votos Exhibit

October 28 - November 27, 2002

Retablos and Ex-Votos:
A Window into the Soul of Mexico

milagro

Retablos and Ex-Votos

In the Iberian and Latin American tradition Retablos and Ex-Votos refer specifically to religious images painted onto a two- dimensional medium. Retablos (or more properly Retablos santos) are images of saints or religious scenes used for private devotion (i.e. a home shrine) or for church display at the altar. Retablo is derived from the Latin Retro Tabula, meaning behind the altar table. Ex-Votos refer to images produced as a sign of thanks for an answered prayer or favor granted. For example, a gravely ill individual, or one to whom an accident is about to happen, prays to a saint or religious figure of personal or family devotion, to be saved from harm. If that prayer is answered the individual will then have an image made (usually on tin, wood, or paper) depicting the occasion and the favor granted. These pieces would then be taken to a church and hung on a wall or possibly at a shrine or sacristy in the church. It is important that Ex-Votos be publicly displayed as a sign of gratitude. To the church these pieces served as proof of the miraculous power of the patron saints and helped reinforce the value of faith. The word again comes from the Latin and means "from a vote (of thanks)."

retablo
"22 June 1955. Purisima del Rincon Guanajuato
Mrs. Elena Galmes de M. was concerned because her son Juan Antonio Munoz was lost (ran away) at the age of fourteen, and I invoked with all my heart the miracle working Christ of the Column that he would show up and He heard my prayer and he (Juan) appeared and his concerned parents Angel Munoz gave Him infinte thanks for so powerful a miracle and for which we make public this retablo."

In Spain and Portugal the tradition of dedicating Ex-Votos dates back to the 14th century or earlier. These were most commonly made on canvas, wood, or leather; however in Spain (such as Talavera) Ex-Votos were painted on tiles. In Mexico while all the above media were used the most common one used was tin.

ex-voto

Spain and Mexico produced only a small amount of tin. However, during the mid-18th century large-scale metallurgical processes were developed allowing for inexpensive production of thin, tin-coated iron sheets that could be easily manipulated for industrial usage and were rust-proof. In Europe, one of the major production centers for such machine-rolled tin sheeting was the County of Cornwall in England, where large-scale mining of tin has taken place since the 5th century B.C. Rolls of tin sheets were then packed in barrels and shipped in quantity to the New World.

In Mexico, from colonial times to the present, tin sheeting has been principally used in the manufactoring of household products and utilitarian objects such as plates, stoves, buckets, cups, boxes, candleholders and lamps. Much of this production has been concentrated in the Bajio region of north central Mexico, Zacatecas, Durango, Queretaro, Jalisco, and San Luis Potosi states.

This tradition of handcrafted tin work objects is one of the high points of Mexican folk art. A strong tradition of tin work extended along the Camino Real into New Mexico where it became well established. Still, a certain amount of material usually cut in a number of various standard size sheets or laminas has always been used for the production of religious images.

retablo
"In August of 1924 Virginia Leon being sick of an unknown illness which did not concede relief her husband Epitasio Andrade put her in the hands of Christ of the Column of Purisima del Rincon, and in thanksgiving dedicates this
San Francisco del Rincon 4-2-1927."

From the late 19th century another source for tin sheets were the larger size commercially produced container tins that are used for market items, such as lard or cooking oil. This tin can material or "hojalata" is cut open and the material trimmed to the desired size. However, most of the material used for retablos or Ex-Votos has usually been from rolled tin sheets. Coincidentally, many of the Ex- Votos have also come from the same Bajio region, as well as the neighboring states of Mexico, Cuernavaca, Morelos, and Puebla.

Tin plate, the material on which the vast majority of Mexican Ex-Votos are painted upon provided the artist with a durable, pleasing, and stable surface for use. Generally in the low humidity conditions of central and northern Mexico these laminas will not rust and the oil paints used provide a further level of protection. Paint also adheres well to this surface.


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